Artist research: Marlene Dumas

15/18 July 2017. I came across Marlene Dumas (*1953, South Africa) before in preparing for Assignment 5 of Drawing 1 (Lacher-Bryk, 2015). Her haunting portraits are based mostly on photographs. They are done quickly using dilute watercolour or oil and by selectively wiping off pigment, leaving ghostly sketches of her subjects. Most are not intended to portray a person truthfully, but rather an emotional state (Moran, 2015). Her technique reduces a facial expression to its absolute essentials. This lack of diversion by unconnected secondary messages I think makes the portraits so strong. When I compare them, a great many appear to radiate trauma in one way or another. Maybe it is my own experiences which make me (hope to) see a hint of something similar in the faces of other human beings, so that I may not alone, which leaves the hope of being able to share the emotions intact. It is horribly fascinating to see that a child’s face, without the everyday traces of having lived visibly engraved, can radiate as much trauma as that of an adult’s (see e.g. Dumas, n.d.). Since these shadows from the past are central to my own projects also, I will tackle exercise 2.2 of this course and very likely Assignment 2 with Marlene Dumas in mind.


Dumas, M. (n.d.) n.t. [online] [watercolour drawing]. n.k. Available from: [Accessed 17 July 2017]

Lacher-Bryk, A, (2015) Part 5: Personal project – more research [blog] [online]. Andrea’s OCA study blog, 5 December. Available from: [Accessed 17 July 2017]

Moran, F. (2015) Close up: Evil is Banal by Marlene Dumas [online]. Tate, London, 3 February. Available from: [Accessed 18 July 2017]